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How to Install CentOS 7 on VirtualBox in Windows 8 / Windows 10 - Learn Online

I this video I am going to show step-by-step how to install the CentOS 7 Linux distribution on VirtualBox for pure and open source virtualization of your testing and development environments.
Create a New Virtual Machine (VM) with the Virtual Machine Wizard, choosing Linux for the OS Type and Red Hat or Red Hat (64 bit) for the Operating System. Memory should be at least 768MB for a graphical install to work. Next the virtual hard disk wizard will start. The OS disk should be at least 8GB. For a relatively full install, allocate at least 15GB, otherwise use all the defaults. Additional disk[s] can be added later if desired.

How to Install Ubuntu 16.04 LTS on VMware in Windows 8 / Windows 10 - Learn Online

In this video I will show you how to install Ubuntu 16.04 LTS Desktop and VMware tools in VMware . You can use VMware Player which is free to personal use. This tutorial also helps if you install Ubuntu 16.04 LTS

How to Install Fedora 25 on VirtualBox in Windows 8 / Windows 10 - Learn Online

I this video I am going to show , How to Install Fedora 25 LTS on VirtualBox in Windows 8 / Windows 10.
Ubuntu is a most popular Linux-based operating system. Recently Fedora releases its newest version 25. VirtualBox is also a popular software for creating virtual machine available for Windows and Linux environment. Fedora 24, Fedora 23, Fedora 22 can also be installed in he same way.

commands -
- sudo dnf update kernel*
- sudo dnf install kernel-devel-$(uname -r) kernel-headers-$(uname -r) gcc

How to install Atom editor in Ubuntu Linux - Learn Online

Atom is opensource source code and text editor. Atom can be installed on Windows, Linux and OS X. Atom supports plugins written in Node.js and has embedded Git source control. Atom is developed by GitHub. Atom is build using web technologies and used as a desktop application.

In this post we will see how to install Atom editor on your Ubuntu Linux system.

Click to Find all commands -

$ sudo add-apt-repository ppa:webupd8team/atom
$ sudo apt-get update
$ sudo apt-get install atom

How to Install Jenkins on Ubuntu Linux - Learn Online

Commands to install Jenkins
1 - apt-get install openjdk-7-jdk
2 - apt-get install nginx
and visit for rest of the commands

Jenkins is open source continuous integration server. Jenkins () is Easy to install, Easy to use, Multi-technology
Multi-platform, Widely used, Extensible and Free tool for Continuous Integration.

How to Earn Money on YouTube


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    Set up and build your YouTube channel. Your channel is your personal presence on YouTube. Each YouTube account has one channel attached to it. A YouTube account is the same as a Google account, and creating a YouTube account will grant you access to other Google products, such as Gmail and Drive.

    • Create your account or use your existing one. Add keywords to help people find your channel. You can add keywords by navigating to the Advanced section of your Channel Settings. Make sure that your keywords are relevant to your content.

    • Your user name can also work for or against you. If it’s short, easy to remember, and original, people will be more apt to remember you. However if you are using an existing account, you can always change your username by editing it on your Google+ account.

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    Add content. Try to upload content that is high quality, and isn't super long. (This option can vary depending on what type of content you decide to upload) Also try to upload regularly and stay consistent with your uploads.

    • Even if your content isn't great at first, keep at it. Practice makes perfect. Try to make each video better than the last. You will often learn as you go.

    • Improve your content by either using a better camera or trying better editing software or techniques. Also try to improve the way things are filmed. Use a tripod, have a friend help you or light your scenes better. It all helps for a better end product which in turn helps you get a better audience.

    • By uploading regularly you can help hold an audience. People are more likely to subscribe if you add content on regular schedule, and maintain that schedule as much as possible.

    • Make sure to tag your videos with key words that describe the content, as well as an eye-catching description. These will help drive people to your video from YouTube searches.

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    Gain an audience. Building an audience is key to increasing your monetization. You need people to watch your ads in order to make any money off of them. There is no one secret to getting more subscribers, just make the best content that you can and they will come to you.

    • Keep uploading content and try to get people hooked. Send your video out on Twitter and Facebook. Share it with people. Distribute it elsewhere on the internet. Subscribers are essential to becoming a partner.

    • Interact with your viewers by responding to comments and making occasional videos directly related to viewer comments and questions. Connecting with your community will bring more members into that community.

  • Image titled Earn Money on YouTube Step 4


    Monetize your videos. In order to start earning money on your videos, you’ll need to enable monetization. This means you are allowing YouTube to place ads in your video. This also means that you acknowledge that there is no copyrighted material in your video.

    • You can monetize a video as it uploads by clicking the Monetization tab and checking the “Monetize with Ads” box.

    • To monetize a video after it has been uploaded, open your Video Manager and click the “$” sign next to the video that you want to monetize. Check the “Monetize with Ads” box.

  • Image titled Earn Money on YouTube Step 5


    Setup Google AdSense. You can setup Google AdSense for free at the AdSense website. Click the Sign Up Now button to begin creating your account. You must be 18 years or older to create your own account. If you are younger than that, you will need an adult to help you.

    • You need either PayPal or a bank account and a valid mailing address as well as other information so AdSense can verify who you are and who to send the money to. You only gain money per ad click and a smaller amount per view but it adds up over time. This is why having an audience is key.

  • Image titled Earn Money on YouTube Step 6


    Check your analytics. Once you have some videos online, monetized, and being viewed, you can check out the analytics on them to see how they are performing. Click the Analytics option in your Channel menu. Here you can view estimated earnings, ad performance, video views, demographics and more.

    • Use these tools to see how your content is resonating with your audience. You can change your content or your marketing if you’re finding that you aren’t attracting the users that you want to.

  • Image titled Earn Money on YouTube Step 7


    Market your videos elsewhere. Don't put your videos just on YouTube! Start a blog, make a website or post them on other video or social media sites. The more views it gets, the better. By sharing the link or embedding the video on the internet, you are increasing the chance of it getting noticed.

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    Become a YouTube partner. YouTube Partners are YouTube members who have monetized videos with a large number of viewers. Partners gain access to more content creation tools, and can win prizes for the number of viewers they have. Partners also get access to much more community support and tips.

    • You can apply for YouTube partnership at any time through the YouTube Partner page. In order to gain access to the most powerful Partner programs, you need to have 15,000 cumulative watch hours for your channel over the last 90 days.

UI/UX Design Tutorial in Adobe Photoshop Social App (Graphic DesignTutorials)

In this awesome tutorial, we teach you how to create your own social app UI / UX design in Adobe Photoshop! This tutorial is apart of our Graphic Design Tutorials series, if you want to see more tutorials like this one in various applications such as Adobe Photoshop, Illustrator, and Cinema4D
Designing in the tech industry is carried out by a variety of designers; such as web designers, User Interface designers, interaction designers, front end developers, and so on. User Experience Designers, generally known as the UX Designers, are professionals who, as brands, analyze the feedback from the users and observe whether the products or services offered are easy to use or not. These designers also check if the products hold any value or if they are even pleasant to use for the customers. They have to be adept at the psychology behind graphic design in order to create a smooth and efficient Human Computer Interaction (HCI) for the users.

UI/UX Design Tutorial

Today, we have collected some valuable slideshare presentations for our customers which will definitely help the UX designers thrive in the web design industry. Have a look!

How to Create an Album Cover in Photoshop

How to Make an Album Cover in Photoshop

For this specific look, you will need three elements:

-Side view portrait
-Painted background
-Hat (If not already on the subject)

Use various selection tools to select and position your images where you would like them to go. Keep in mind that album covers are generally in a 1:1 ratio (a square). We suggest unchecking “delete cropped pixels” so you can recover your image if you need to.

When your portrait is ready, it’s time to make it into a sort of silhouette! Turn it into a layer mask by holding Crtl/Cmd and clicking on your subject to select it, and then clicking the layer mask button.

From here on out, this technique is mostly just playing with blending modes. We inverted the blue color so that it appears bright orangeish red, so that’s something you might want to experiment with. For this specific image, we utilized the subtract blending mode. We also played around with the size and position of the painted background layers to get different effects. Don’t forget that you can unlink your layer masks for more control!

Quick Tip: To flip through the blending modes, hold Shift and press the plus or minus keys (make sure you are on the move tool first)

Feel free to play around with text as well. You can make adjustments in the character panel for things like tracking, caps, font, and size. We use Helvetica Neue for this episode. If you’d like to add a drop shadow, double click on the text layer and go down to drop shadow. After tweaking it to your liking, you can actually drag that drop shadow onto other layers while holding Alt/Opt and it will copy it over for you!

How to Use Displacement Maps in Photoshop

Learn how to use displacement maps in today's episode and help this rad granny out by adding the Phlearn logo to her hat!

You will need two elements for this technique:
-Logo or some sort of design
-Image to place the design on

To start, transform your logo onto the image. You can hold Cntl/Cmd + T, right click, and select Warp to really hone in on the correct angles and perspective. Next, go to Channels and find the one that has the most contrast (this is often the blue). Then, right click on that channel. Select New under the Document Menu. Title it appropriately and hit OK. Now, go to File - Save As, and save it as a PSD. This document is now your displacement map.

Back to the original image we go! Select RGB in the Channels tab so that all of them are selected. Now, go back to the layer tab. While on your logo layer, go to Filter - Distort - Displace. Set the horizontal and vertical scale to 10. It will ask you to load your displacement map, which is the other document that we just saved out. It will automatically start to integrate the texture into the logo!

Amazing quick tip: If you press the logo above the layers next to the word "Lock," anything you do will ONLY affect the pixels on that layer. You can think of it as a mask for your logo! This is called Locking the Transparency.

Feel free to play around! Try filling the logo with a color and then experimenting with blend modes. In this case, we chose to use Overlay.

How to Use the Refine Edge Tool in Photoshop

If you have a complicated selection to make such as hair, let us introduce you to your new best friend: the refine edge tool! Learn how to master the tool and get flawless results in today's episode!

Begin by using whichever selection tool you prefer. In this episode, we use the magic wand tool to select the sky around the lion, and then invert that selection. because the lion has so much detailed fluff, a lot of the sky shows through and the hair is not defined at all. To mend this, go to Select- Refine Edge.

In this dialogue box you can choose which view is most helpful to you. You might want to soften the edge a little, and you can do this by feathering. Play around with the contrast and shift edge as well. Keep looking for what makes the hair more defined and realistic looking- it might be helpful to shift the edge inwards a little bit.

Hint: If you’d like to use the “output to” option to output to a different location such as a layer mask, be sure that you are not on the background layer (You can hold Alt/Opt and double click on the background to change it to a regular layer).

To use the edge detection tool, check the smart radius box and paint around the edge of the hair. Photoshop does an amazing job of determining what is the background and what is the fur, and eliminates the unwanted parts of the background sky.

If you plan to put a new background underneath whatever you are cutting out, it makes sense to match the general tone from old to new. If you had an originally light background, it’s much more successful to use a light colored background for the final image.

How to Remove Glare from Glasses in Photoshop

It’s always a sad time when you end up with unwanted reflections in someone’s glasses :( Learn how to utilize the clone source dialogue to remove glare in today's episode!

Short and Sweet

For this technique, you will need to make sure that there is one eye that is relatively clear of reflection, so that we can use it to copy to the other eye.

The clone stamp settings we use are (found on the top bar):

-Opacity- 100%
-Flow- 100%
-Sample: Current and Below

To get to the Clone Source Dialogue, go to Window - Clone Source. This is where we can really get down to the nitty gritty details. Here, some helpful things to do are:

-Turn on “Show Overlay” to reveal a preview of what you are cloning
-Flip the Width so that the cloning is flipped horizontally

Then, we clone from the left eye over to the right eye to take care of the majority of the glare. Be sure to match up the glasses as closely as you can; the preview is helpful for this! Feel free to use layer masks to fix any areas that were cloned too much.

We also use a lower opacity clone stamp (50%) to smooth out some rougher areas.

Stock Images:

How to Automatically Remove Objects from Photos in Photoshop

You will be stunned by the simplicity and effectiveness of this technique! Learn how to auto-remove objects from your images in no time!

Be sure that your images are shot on a tripod for this, or it will not work. They must be lined up perfectly so that the photos can be combined.


This process can be done manually, which would be to load all of the images and use layer masks to eliminate parts of certain photos. Go to File - Scripts - Load Files into Stack. You can then select your files and click OK. They will load as individual layers, which allows you to add or eliminate elements with layer masks (black conceals, white reveals).


This process does all of the masking for you! Go to File - Scripts - Statistics. The Stack Mode should be “Median.” This means that it will locate all of the “different” elements in the files and remove those differences (ie. cars, people, random moving objects). Click Browse to open your images, and check the “Attempt to Automatically Align Source Images” box; this ensures that the photos will be lined up just right. Click OK, and watch the magic happen! It will get rid of all of the differences in the photos and combine it into one clean image.

Photoshop also compresses this layer into one Smart Object, so you can double click on it and open up each individual layer if you need to.

Stock Images:

How to Add a Reflection to Sunglasses in Photoshop

Adding a little Paris to your studio portraits is simpler than you might think! Learn how to add a reflection to sunglasses in today's episode.

Start by scaling the scenery down to the right size. Lower the opacity to see how it will look inside of the lenses. Be aware that only one of the lenses needs to look good, because it will be copied!

Next, select the area right around the lens with the Marquee tool. Go to Select - Inverse, then press the delete key. Now you should have a little square of reflection over one eye. Copy that layer and move it over to be on top of the second eye. Now make the reflection layer invisible and select the Magic Wand tool. We use this to select out the lenses (be sure that “sample all layers” is checked). Use the refine edge tool to soften or bring the edge in a bit. Group those layers with themselves and hit the layer mask button.

To style the reflection so that it doesn’t look fake, create a levels adjustment layer. Darken the darks and mess with the output levels so that it looks more like a reflection. You can add a Hue/Saturation level as well, to match the color from the original lens. In this case, we make it a little bluer and lessen the saturation.

Being able to see through the glasses a little bit is extremely helpful in terms of realism. We use a black to transparent gradient to select areas to be darker, and others to be more see-through.

Now the part you’ve all been waiting for…time to blow some minds! Select the layer that the reflection is on with the Marquee tool. Go to Filter - Distort - Spherize. From here it’s very simple to adjust the slider to a certain amount of curve. This bulges the image out and makes it appear less flat!

Stock Images:

How to Make a Call of Duty Title Screen in Photoshop

Video Game lovers, rejoice! In today's episode, learn How to Make a Call of Duty Title Screen in Photoshop, and take away some versatile font techniques too!

Preparing the background-

Begin by dragging your texture onto the image of the subject. You can group the layers and turn them off for now. Crop the image to your liking, and be sure that 'Delete Cropped Pixels' is unchecked!

If you find that you need to add a solid color layer beneath your image, like we did in this episode because of the cropping, we suggest creating a Color Fill Adjustment Layer. This will interact with the crop tool so that there is always color on the background.

Rough and Rugged-

For this image we simply downloaded a free Call of Duty font from

The character panel is where you will find all of your text options for things like color, tracking, and point size (if you don't see this, go to Window - Character). There are also tools at the top bar of Photoshop that will help with aligning more than 1 line of text together.

To get the rough and rugged texture we added previously to show up on just the font, right click on the texture layer and select “create clipping mask.” This will make the texture show up ONLY where those letters are, so you don’t have to worry about masking or anything.

For some added detail, go to Filter - Filter Gallery - Spatter. Play with this filter to increase the grunginess of the texture, and customize the edges of the font (be sure to be doing so on a stamp visible layer).

Stock Images:

The Beginners Guide To Levitation (Teaser)

The Beginners Guide To Levitation is the most comprehensive levitation photography and Photoshop tutorial available anywhere.

Learn the entire process, photography and Photoshop, 3 different times for 3 different images. This guide includes over 5 hours of video tutorials, images to follow along, and even custom Photoshop brushes.

Stock Images:

The Beginners Guide to Levitation (Full Trailer)

How to Create a Futuristic Eye in Photoshop

How to Create a Futuristic Eye in Photoshop

Start by making a new square document. This is very important for the next step! Create any lines or patterns that you would like, keeping in mind that they will soon be spun into a circle. Go to Filter - Distort - Polar Coordinates. Select “Rectangular to Polar” if you want a circle effect. These will be layered over the eye later, so play with different geometric shapes and placements!

For another layer of graphics, we found some cool pictures that resemble sound waves. You can apply the same Polar Coordinate Effect to these images as well! Drag them right onto the image and place them around the eye.

Blending Mode Tips:

If you want only the darks to show up from an image, use the Multiply blend mode.
If you want only the lights to show up from an image, use the Screen blend mode.
Soft light will help graphics blend in to your eye a little better.
Double click on a layer to bring up the Layer Style Dialogue. Select outer glow and make sure the blending mode is on “screen,” Feel free to bring the size and the opacity up, and change the color if you’d like. This will, as the name suggests, give your layer a nice outer glow.

How to Create Email Signature in Photoshop

In today's episode, we show you how to create an email signature in photoshop. Having your own signature at the end of your emails is a great way to leave a professional impression. No matter what type of business you are in, having an email signature is the perfect way to sign off. Join us as we take you step by step through the entire process.

How to Create A Signature Watermark in Lightroom

If you are looking to add some security to the images you are uploading online, this episode is perfect for you! Today we'll show you how to create a watermark to place on your images. It could be your signature, logo, or really anything you desire. Having a watermark is a great way to protect your images and direct people back towards your brand.

We'll start in photoshop, getting your watermark just the way you like it. Then we'll hop into Lightroom where we'll create a preset. This preset will enable you to watermark your images automatically. Finally, we'll show you a quick and easy way to export your images and have them ready for the web. Enjoy!

How to Select and Change Colors in Photoshop

Selecting Color Range

To select out the different colors, create a new layer and go to Select - Color Range. Click on the color you want to sample with the regular eyedropper tool. You can play with the fuzziness to get more of an accurate selection. Also, if you need to add or take away from your selection, you can use the eyedroppers with the plus and minus symbols next to them to do so.

Next, go to Layer - New Adjustment Layer - Hue/Saturation. This will load your selection directly into the Hue/Saturation layer so that you can adjust the hue sliders and change only the colors you want to change!

Refining Layer Masks

If you have small unwanted parts in a selection, you can always paint over it with a brush tool on the layer mask.

Tip: If you hold alt/opt and click on a layer mask, it will appear as black and white. This can be very helpful for seeing tiny stray colors in your selections.

How to Create an iOS 8 Icon in Photoshop

The Rounded Rectangle Tool

How often do you use the rounded rectangle tool? Almost never right? In today's episode, the rounded rectangle tool comes in handy as we create our icon. The rounded rectangle tool helps us create are shape and there are enough options available for us to be really specific.

Sampling Colors

Next we sample colors from the actual iOS 8 app and use a gradient to color our rounded rectangle.

Logo and Finishing Touches

Next we place our logo right in the center of our shape using some alignment tools. And to finish it all off we add a drop shadow, turn the background transparent, and save it out as a png file.

How to Create Handwritten Text in Photoshop

In today's episode, learn how to create handwritten text in photoshop. You will learn about a great website where you can download fonts for free, as well as how to warp and transform fonts to make them look like they actually fit into your image.

Choosing the right image:

This won't work on every image. We'll show you the type of images that will work perfect for this type of effect. Then we'll show you the fonts that will help sell it even more.


In photoshop we transform and warp our text box to make it fit right on the page. Then we add a blur and layer mask to really bring it to life.

How to Create a Text Banner in Photoshop

Check out the awesome banners Fotolia has to offer:

In today's episode, we show you how to create a text banner in photoshop. Banners are used in a variety of different ways, but you can't just put simple text on a banner and be done with it. In this episode we'll show you where to get a banner, how to transform your text to fit on the banner and how to place those banners on your images.

We start off by downloading a template from Then we bring the banner into photoshop and show you how to lay words over the different shapes and sizes of the banner. Sometimes the text in your banners require a bit of transformation to make it look like it belongs on your banner. We'll show you the right tools to use when transforming text. Finally, we'll place the banners we've created onto an image for a more polished look.

How to Create and Place a Logo in Perspective

Learn How to Create and Place a Logo in Perspective in today's episode! This is helpful for photographers and designers alike as you will learn how to transform text as well as place it into an image! Whether you are branding yourself, branding others, or want to place text on a billboard, this episode will come in handy!

Section 1: Creating a Logo (1:20)

Don’t be afraid to play with text! That means font, weight, color, etc. For this specific logo, we simply used an A and transformed it to be more stylized (Ctrl/Cmd + T). We also copied and flipped it, so that there are two As sitting next to each other. If you are planning on adding any design elements to the logo, be sure to use rulers and other tools like the polygonal lasso tool to guide your shapes into being perfectly straight and symmetrical.

Section 2: Creating a Size Guide (10:36)

Since we are planning on placing the logo onto the side of a truck, it is very helpful to make a general selection of that area first; Use the rectangular marquee tool to create a rectangle that is the size of the truck. Fill that selection with a color and then copy and paste the logo on top of it. Now, it will be very easy to use the alignment tools for precise placement. In this case we choose to align the logo to the bottom left of the rectangle. We then add a slogan to make it more realistic and enticing!

Section 3: Placing the logo in the proper perspective (14:24)

Now that the logo is all prepped and ready to go, group all of those layers together for easier editing. Bring the logo over to the image you will be placing it into.

Tip: Create duplicates of your logo group (Cmd + J) so that you can always have a solid starting place to go back to if needed.

Now, hold Ctrl/Cmd + T and drag the corners of your rectangle to the corners of the area of the sign you will be using (this technique works best for rectangular destinations). Once you have it positioned correctly, changing the blending mode to Multiply will help to blend your logo into the image. Depending on the resolution of your photo, it’s usually a good idea to add a small gaussian blur to you logo to make it seem more realistic.

How to Render an Apple Watch From Scratch in Photoshop

Check out our Text & Graphics Playlist for more tutorials like this!
Have you ever had an idea for a product but didn't know the exact steps to take after sketching out your idea? Well in today's episode, we show you a possibility for your next step. You can create your product in photoshop. Learn how to render an apple watch from scratch in today's episode!

Section 1: Creating the Watch Inner Surface (3:32)

We kick things off by creating the inner surface of the watch. In this section, the Rounded Rectangle Tool will become your best friend. This tool gives us the options to really make the corners on our rounded rectangle smooth and precise. The Layer Style options also come in handy because it allows us to create that inner glow. This give the illusion of a shiny surface. The Rounded Rectangle Tool is even used to create the shine we see surrounding our inner surface.

Section 2: Creating the Watch Case (10:52)

Now that we have an inner surface created, we begin to work on the case that would be holding our inner surface. Our goal in mind was to create a shiny, metal crown surrounding our inner surface. The Rounded Rectangle Tool is the hero again in this section as we perfectly outline a case for our inner surface. We return to our Layer Style options to give our case a metal look. We also use the Rounded Rectangle Tool to create the buttons on the side of the watch. Then we get really fancy and use some Step and Repeat methods to create the grooves in the dial.

Section 3: Creating the Watch Strap (23:10)

The watch straps are created with a slightly different method. First we begin with a rough sketch to give us an idea of what we want. Then we use the pen tool to create one side of the strap. After we are satisfied with the side of the strap, we duplicate that layer, flip it over, and move it to finish off the strap on top of the watch face. Then we duplicate that layer, flip it over upside down, and use it for the bottom strap. (This might sound confusing but it's easier than you think.) We use Layer Style to give the straps a bit of dimension. This makes them appear as though they are pieces of rubber.

Section 4: Creating the Watch Face (31:00)

Now the fun part begins. The cool thing about apple watches is that the face of the watches vary. So we were able to get a bit creative in this section. We started by using the Step and Repeat method to create the second hand markers. Then we used some cool layer tricks to define the visibility of our second hand markers. Finally, we used some alignment tools to ensure that everything was perfectly center.

Section 5: Creating the Hands of the Watch (37:40)

There are 3 different hands to make for the watch. The minute hand, the second hand, and the hour hand. The minute and hour hand are basically the same thing. We used the Rounded Rectangle Tool to create the shape of those. It's easier to create things in photoshop that are vertical or horizontal. If you want something to be at an angle, create it vertically or horizontally first, then change the angle of it later. We use the Elipse Tool to create a circle in the middle of the watch, then connect all our hands around that circle.

Section 6: Adding a Graphic to the Inner Surface (44:29)

For the grand finale, we add a moon to the inner surface of the watch. This helps give the product a bit of character (and it's just fun to do). We use some blending modes to void the colors we don't want. Then we align the moon in the center of our watch. We adjust the size so it fits perfectly and viola! We have a beautifully rendered apple watch.

How to Create Graphic Art in Photoshop

It's our first episode in our brand new studio and boy is it a good one. Learn how to create graphic art in photoshop! Today's episode is for all those artist out there. We show you some basic techniques you can use to create some awesome graphic art. From color fill adjustment layers to layer masks, to transforming selections and saving custom color swatches. This episode has a little something for the whole phamily!

Section 1: Creating a Color Fill Layer (4:27)

We kick things off by using a Color Fill Adjustment layer. Then we use a layer mask to define the visibility of that layer. A key point to remember here is that painting white on a layer mask makes that layer visible. Painting black on the layer mask makes that layer invisible. This concept is constant throughout the episode because it determines what is actually showing on our layer. Using our Fill Dialog box, we choose to fill the layer with white.

Section 2: Creating a Target (6:28)

So now that the basics are out of the way, it's time for us to begin creating our target. We start off by choosing the color of our target. Let's say you come across a color that you really like and want it to be accessible for a while, you can do that by going to Window---Swatches, name the color whatever you want, and then hit enter. Now that color will always show up in your Color Box Dialog. Once we have chosen the red we want for our target, we use our Elliptical Marquee Tool to create a perfect circle. We hold down Shift and click and drag to create a perfect circle. We then inverse our selection a couple times to ensure the red rings of our target only show up where we want them to.

Section 3: Creating the Arrows (11:52)

Now that we've got our target, we need to create some arrows. We use our Marquee Selection Tool to define the shape of our arrow. We then grab our adjustment layer and choose the color we want to fill our selection with. We use the exact same process to create the feathers of the arrow. This time we load our selection into a new Color Fill layer. This time we fill the selection with white. In order to duplicate our arrow we just grab our layers and group them together and drag them to the new group icon and viola! We now have to arrows. We use our Transform tool to rotate one of our arrows to make it look like two arrows have hit the bullseye.

Section 4: Creating the Shadow (14:25)

For the grand finale, we create a shadow for our target to pull it all together. We start off by using the Polygonal Lasso Tool, which is nested right under the regular Lasso Tool. Next, we define the shape for the shadow of our target. Once we close off our selection, we create a solid color adjustment layer right above our background layer. We choose a color we see fit for the shadow of our target and hit enter. We then crop our document a bit to make our graphic a bit more focused and centered.

How to Make a Panorama in Lightroom

In today's episode, we show you how to make a panorama in Lightroom. Adobe just recently announced it's update to the software and one of the main attractions was it's ability to create Panoramas while in Lightroom. If you already have the creative cloud subscription, just go to your Creative Cloud icon in the top right hand corner and click update on your Lightroom program.

So what is a Panorama?

A Panorama is when you put multiple photos together to create one wide (Panoramic) view. Panoramas are very commonly used in landscape photography. A few years ago, there wasn't much software that would allow you to do Panoramas besides Photoshop and other smaller programs. That has all changed in the past couple years. Now even an iPhone can take a Panorama photograph.

Panoramas in Lightroom

Now you'll be able to create a Panorama in Lightroom! This means you'll be able to take high quality images from your camera and edit them into one high quality image in Lightroom. Today we'll show you how to import the images into Lightroom. Then we'll go over how to merge the photos using the Panorama option. Lightroom will then take a second to auto-project your selection. You are given different options for your Panorama. After choosing between Spherical, Cylindrical and Perspective, you can click on auto-crop and you're good to go. Now the file is a .dng which enables you to edit it right there in Lightroom.

How to Create an HDR Image in Lightroom

What is HDR?

HDR stands for High Dynamic Range. This means that there are more highlights and more shadows that stretch beyond the normal range of a camera. Typically, either the bright parts of an image will be exposed or the dark parts of the image will be exposed. Creating a High Dynamic Range Image allows for the full potential of each end of the spectrum.

When shooting for an HDR photograph, be sure to use a tripod and not bump your camera at all. You will want to bracket for each exposure that you will later combine, while keeping your camera in the exact same place. This allows for seamless merging later on in Lightroom.

Creating the Photo

First, make sure that your version of Lightoom has been updated (If you have the Creative Cloud). HDR in Lightroom is a new feature of CC 2015. Next, load your images into Lightroom.

Then, Shift click on all of your exposures. Right click and go to Photo Merge - HDR.

It will take a moment for the next window to come up. When it loads, check Auto Align (this makes sure that all of your photos are in the exact same place and will eliminate movement) and Auto Tone (Brings in information from both the highlights and the shadows). You are also able to choose the amount of "Deghosting" to apply to your image. An example of ghosting would be cars passing by while you were shooting, or a person walking in front of the camera. If you have a lot of that going on in your images, it would be best to select Medium or High Deghosting. If you don't have any at all, there is no need for it and you can select "None."

When you are satisfied with how your HDR image is looking, click Merge.

The big advantage that Lightroom has over Photoshop for creating HDR images is that it creates a new RAW file. This allows you to go in and edit the photo as you normally would, but with a huge dynamic range!!

After pressing Merge, you will be left with a single RAW file in .dng form. From here, you can go to the Develop module and edit your image. For this specific image, we adjust the exposure, clarity, vibrance, as well as the black and white points. To change those points, hold the Shift key and double click on the words "Whites" and "Blacks." You can always go back and edit these as well, so don't worry that it is a permanent edit!

That's it! If you would prefer to edit your photo in Photoshop as opposed to Lightroom, feel free to do so. Just make sure to complete the first steps of actually merging the HDR image in Lightroom, because the RAW image that it produces can be very useful!

How to Create a Cinemagraph in Photoshop

you are in for a real treat! In today's episode, we show you how to create a cinemagraph in photoshop. We don't stop there, we also give you some tips for creating a cinemagraph in camera. Sit back, grab some popcorn and enjoy the ride!

What is a Cinemagraph?

Cinemagraphs are commonly produced by taking a series of photographs or a video recording, and, using image editing software, compositing the photographs or the video frames into a seamless loop of sequential frames. This is done such that motion in part of the subject between exposures (for example, a person's dangling leg) is perceived as a repeating or continued motion, in contrast with the stillness of the rest of the image.

Capturing Footage for a Cinemagraph

At first we planned on just teaching you how to create a cinemagraph in photoshop. Then we realized that it's just as important to know how to shoot a cinemagraph with your camera before taking it into photoshop.

Here are some things you'll need in order to capture footage for your cinemagraph:

A camera that can record video (Anything from a DSLR to an iPhone)
A sturdy tripod (You'll need your scene to be relatively still in order to really achieve this effect. A sturdy tripod is one of the best ways to ensure your framing is consistent.)
A subject (Something or someone that is doing something with a continuous movement. In our case we used a record player. As long as there is a distinct starting and stopping point.
It will take a little practice to find the perfect subject, but get out there and have fun trying to create your own cinemagraph!

Using Photoshop to Edit Your Cinemagraph

After you've went out and shot your footage to create your cinemagraph, it's time to bring it into Photoshop. That's right, Photoshop does also offer video editing features!

We start by importing our footage into Photoshop just like we would with any other still image. Once you've brought your footage into Photoshop, it should pop up with your video timeline. If you don't see your timeline, just go up to Window, and down to Timeline. The editing of your footage for a cinemagraph revolves around one concept. Your end frame needs to be the same as your beginning frame. That way it will create a continuous loop that looks completely seamless.

Once we have our clips set up how we want, we need to use keyframes to adjust the visibility of the layers, or the Opacity. We set up our top clip with the opacity set at %100 and we gradually fade it out to %0. This will cause your top clip and bottom clip to blend together perfectly.

Next we use a Stamp Visible Layer and paint black over the areas we want visible. In this case with the footage we are using, we painted black only over where the waves are. This is what really helps sell the effect. Sometimes everything in your scene won't work for a continuous motion, so creating a Stamp Visible Layer is a great way to control where the motion is coming from.

Saving & Exporting

Now that you have finished editing your Cinemagraph in photoshop, it's time for the export. You want to make sure you go to your menu and click "Save for Web". After that make sure that the file type is a GIF. PNG files and JPEG files do now support motion so it won't work if you don't export your file as a GIF. One of the cool features is you can simply click and drag your export Cinemagraph file into google and see how it would look on the web.

How To Do Focus Stacking in Photoshop

In today's episode, we show you how to do Focus Stacking in Photoshop. We also give you some pointers on how actually shoot the images you'd need in order for Focus Stacking to work. We even briefly jump into Lightroom to show you how to prep your images. With a little help from our Game of Thrones figurines, we are ready to deliver an awesome episode!

What is Focus Stacking?

Focus Stacking is a technique where you can combine many different photos taken at various focal points. It's commonly used in macro photography where you have a very shallow depth of field. By combining multiple photos together you are able to extend your depth of field and get more in focus within a small frame. Focus Stacking is a great way to control what's in focus in your image.

Capturing Images for Focus Stacking

Focus Stacking is done in Photoshop, but in order for Focus Stacking to work you need to know how to shoot the images. So in today's episode, we give you a brief rundown of how we captured the images we used. With the help of some Game of Thrones characters we were able to create a little scene perfect for an example. We definitely encourage our Phamily members to get out there and have some fun with Focus Stacking. Not just in Photoshop but also in the Photoshoot process.

Here are some things you'll need in order to capture footage for your Focus Stacking:

A sturdy tripod (You'll need your scene to be relatively still in order to really achieve this effect. A sturdy tripod is one of the best ways to ensure your framing is consistent.)
A couple pocket wizards (This is totally option, but it was another way for us to get our hands off the camera, ensuring that the camera is shifting positions. We connected the pocket wizard with a shutter release cable and we were good to go!)
Shoot in "MF" also known as "Manual Focus" (Shooting in Manual Focus will allow us to move the focal ring of the lens while taking the pictures. The reason that we aren't shooting in Auto Focus is because Auto Focus would override what we are trying to accomplish by slightly moving the focal ring. Manual Focus gives us complete control of our depth of field.)
Capture images for Focus Stacking (There is a technique when it comes to Focus Stacking. Our advice is to choose your earliest stacking point, take a picture, rotate the focus ring a little bit, take another picture and repeat this process.)
Bringing Your Images into Lightroom

So now that we have our images for our Focus Stack, it's time to prepare them for photoshop. Our first stop is Lightroom, now only are you able to get an idea of the images you want to use for your Focus Stack, but you can also select the exact images you want to export to photoshop. We export and resize our images and now we are ready to rock in Photoshop.

Stacking Files in Photoshop

Now in Photoshop, we are ready to load all our images together. If we go to File - Script - Load Files Into Stack. This allows us to load all our images into one big stack instead of loading them individually. From there you can browse your files and choose the folder with the images you selected from Lightroom. There is an option in the Load Files Into Stack dialog box that says "Attempt to Automatically Align Source Images." We do recommend having that box checked. Once you hit OK, Photoshop loads all of those images into one stack. Now that we have the images loaded, we need to combine them all into one image.

Focus Stacking in Photoshop

The first thing we do is select all our files. We click on the first, hold down Shift, and then click the last to select all our images. Next we go to Edit - Auto Blend Layers. The two options that are now available to us our Panorama and Focus Stacking. We check the option "Seamless Tones and Colors" and hit OK. Now Photoshop goes to work, it takes the parts of each image that is in focus, then it creates a Layer Mask only revealing the part of the image that is in focus. Photoshop will use this technique on every photo in your Focus Stack. This automated process would be nearly impossible for us to do on our own. At the end of the process, we have our very own Focus Stacked image!

How to Edit Video in Photoshop

Follow along with our video clips! Download them here:

In today's special episode, we show you how to edit video in Photoshop! This is the first of a 4 part series on working with video in Photoshop, and covers all of the basics. You can also follow along with our video clips! Don't forget to download them here.

Why would you use Photoshop to edit video?? Well, a professional video editor is most likely going to use a video centric program rather than Photoshop (Adobe Premiere Pro, Adobe After Effects, Final Cut, etc.) However, it can be very useful to color grade your videos and apply filters to them- especially if Photoshop is the only program available to you. For someone familiar with Photoshop, this should come surprisingly easy. This is because you can think of editing video in exactly the same way as editing photos! It's practically an identical process, which can be a huge advantage.

Part I: Importing Video into Photoshop

1. For the first method for importing footage, go to File - Scripts - Load Files into Stack. From there, select the clips you are planning on working with by clicking Browse. After clicking OK, they will load into the same document.

If you are currently thinking, "Hey! Where do I see my actual footage?!" we have an answer for you! Simply go to Window - Timeline, and you will see the full length of each clip stretch out across Photoshop. This Timeline is the base for all of your video editing, and is where you will cut and arrange your clips.

By default, each clip is stacked up on top of each other. But this is not what we want! We need the clips to sit one after another in one solid sequence. To fix this, select all of your clips in the layers panel. Then, click on the little film strip icon on the timeline and select 'New Video Group from Clips.' You will see them group into one folder in the layers panel, and they will also be laid out horizontally on the Timeline.

2. The second method for importing footage starts by clicking Ctrl/Cmd + O (Open). Then, select which clips you would like to use. If you would like to add any more later, click on the film icon on the timeline and select 'Add Media.' Then, the additional footage is placed after the other footage in a linear fashion.

Part II: Using the Timeline

One of the first things you will want to know is how to rearrange video clips! This can be done by moving the layers around in the layers panel, or just dragging them left and right in the Timeline. To navigate through the footage, click and drag the red slider to scrub back and forth.

Part III: Editing Video

Next up is cutting and moving footage around. To cut a clip in half, place the red slider in the middle of it and press the scissors icon. Voila! It will be cut right down the middle. To delete any unwanted sections, just select them and press delete.

One nice thing about this is that you can always get back footage after it's gone! Hold your cursor over the beginning or end of the clip - wherever you cut it previously - and drag it out to include more video. This works the same for dragging the clip to be shorter as well.

Part IV: Using Keyframes

Keyframes are used to control certain changes over a period of time. A good example of this is making a clip slowly fade from transparent to opaque. Open the video group up on the Timeline by clicking the arrow. If you'd like to alter the opacity, pull your red slider to where the change should begin. Then, click the little timer icon to create a keyframe. A diamond will show up on the Timeline, which can be clicked on and adjusted manually. In this case, we leave the opacity at 0%. Then, drag the slider to where the change should end and create another keyframe. Click on it and adjust it again - in this case we change it to 100%. This causes the clip to slowly fade in, because we had a solid color fill layer underneath the clips. Keyframes can always be moved around and adjusted as well.

How to Color Grade Video in Photoshop

In today's episode, we show you how to color grade video in Photoshop! This is the second section of our 4 part video editing series, and it picks up directly from where we left off in the first section. If you haven't seen that first episode (How to Edit Video in Photoshop), click here:
To follow along with the same clips we work with in this episode, download them here:

Why would you use Photoshop to edit video?? Well, a professional video editor is most likely going to use a video centric program rather than Photoshop. However, it can be very useful to color grade your videos and apply filters to them- especially if Photoshop is the only program available to you. For someone familiar with Photoshop, this should come surprisingly easy. This is because you can think of editing video in exactly the same way as editing photos! It's a practically identical process. Why not have a little fun!

Part I: Using Local Adjustments to Color Grade

Local Adjustments: Affects individual clips
To start off, select the layer you would like to make adjustments to. In the same way you would add adjustments to a photo, we can do the same for that video layer! Try it out by creating a new curves adjustment layer. After you adjust the contrast with curves, you will notice that it will clip directly to the single video layer you applied it to (be sure your clips are grouped into one folder). You can add multiple adjustments to the same layer, just like you could with a!

Part II: Using Global Adjustments to Color Grade

Global Adjustments: Affects an entire group of clips (ie everything!)
To adjust all of your video footage at once, make sure that your clips are grouped into one folder (if they are not, you can select all the layers and press Cmd + G). Then, create an adjustment layer and place it on TOP of that video group. This will apply that same adjustment to everything consistently.

Part III: Color Grading Techniques

Let's get started with color grading! Create a levels adjustment layer, and select only the blue channel. Drag the black slider in to the right, and blue will be added into the shadows. Yellowish highlights tend to look great with cool shadows, so bring the white slider in towards the left to compliment them. Again, the more color editing knowledge you can pull from your regular photo editing skills, the better!

What if you create a global adjustment, but decide you only want it to affect some of your footage? Have no fear!! Notice that the adjustment layers stack on top of the video in the timeline. You are actually able to click and drag those adjustments and make them last as long or as short as you would like them to.

Part IV: Applying Filters to Video

In order to apply any filters onto video in Photoshop, it must first be converted to a smart object. So, select the layer you would like to affect, right click, and choose 'Convert to Smart Object.' Next, go to Filter - Filter Gallery. A preview window will load with an array of options. Feel free to play with the intensity and edges of the filters; you can always adjust the filter later as well. When you are happy with the way the filter looks, select OK. Then, you will need to render the clip. This is done by simply playing the clip. It will take a moment, and you will know it's done rendering by the little green line that appears on top of the clip afterwards,

And that's all folks! As you can see, there's no need to relearn much for editing video in Photoshop. Have a blast editing your own clips, or download ours for some great practice.

How to Add Transitions and Audio to Video in Photoshop

Learn How to Add Transitions and Audio to Video in Photoshop in today's episode!
This is Part 3 of our Photoshop Video Series. If you haven't seen the previous episodes, be sure to check them out!

If you'd like to follow along with these episodes, click here to download our video footage:

And keep your eyes peeled for Part 4!

Let's get in to today's episode!

Section 1: Adding Transitions

Transitions are commonly used by video editors everywhere! They allow flexibility when moving from one clip to another, and can completely change the feel of a video. Harsh cuts between scenes can be great, but they are not always the right fit. Examples of transitions include a cross fade between two clips, and a fade to black.

Transitions can be found in Photoshop by clicking on the square icon to the right of the Timeline Control Panel. You can change the duration immediately, or wait for later. Simply drag the transition you would like down onto the Timeline between two clips. From there, you can pull the transition to be longer or shorter if you'd like.

Again, you don't always need transitions! They are just creative tools for you to utilize in whatever ways you choose.

Section 1: Adding Audio

You can turn the audio off or on by pressing the speaker icon on the control panel. However, this is only temporary and will affect the entire Timeline. If you'd like to mute the clips, right click on them and then tab over to the Audio Section (music note icon). Check 'Mute Audio.' This will need to be done for each clip. After that is finished, you will notice that the video will be silent even if you turn on the speaker icon. This is helpful because you won't have to worry about the audio that was captured in camera anymore- especially if you will be adding music.

To add additional audio to your video, go to the Audio Track at the bottom of the Timeline and click on the music note icon. Select 'Add Audio.' From there, you can locate the files you would like to use. After previewing the file to be sure it is the correct one, press Open. You can shorten the audio if you need to by clicking and dragging; this is the same technique we used for editing the video.

To fade the audio in or out, right click on the track and adjust the Fade In/Fade Out sliders.

Inside Phlearn's 2015 Fstoppers Workshop: By Nick Amrhein

Everyone on the Phlearn Team knew who Nick was before he even showed up in the Bahamas. He made sure to find us all on Facebook and let us know how excited he was, which is a perfect representation on his personality! Nick was so much fun to work with, and kept a lively and positive mood throughout the few days we all spent together.

After traveling back to Ohio, he put together this awesome recap of the workshop! It embodies the spirit of the experience, and we hope it will give you a little taste of what went on down in Nassau.

If you'd like to know more about Nick or check out his work, click here to visit his website:

How to Create Title Screens for Video in Photoshop

In today's episode, we show you how to create title screens for video in photoshop. Not only that, we'll also show you how to create a layer mask that animates throughout time. To finish everything off, we'll show you how to animate layer effects in video. This is the final installment on our series of episodes teaching you how to edit video in photoshop.

Section 1: Adding a Title Screen and Layer Mask

Title screens are a great way to brand your video. In our example, we use our Phlearn Logo for our title. If you've been following along with our series, all of this should feel familiar. We start by creating a new video group. We then grab the file we want for our title, in this case it's our Phlearn logo, and we drag that into the new video group. We then transform our logo to the exact size we want it to be. In our timeline, our title is on top of all our footage. So we see the logo on top of our whole video. In order to add a bit more interest to our title, we add a layer mask to our title. We use keyframes on our layer mask to animate what's visible with our logo at a specific time.

Section 1: Using Layer Effects Animations

Now that we have our layer mask, we show you how animate a layer effect throughout time. We choose a drop shadow for our layer effect. Then we play with the blending modes, opacity, and distance. Now that we have our layer effect visible, we keyframe the movements of our drop shadow. We change the angle of the drop shadow from one side to the other. Because it's keyframed, we see the drop shadow move as time goes on. This is just a basic example of how you could animate layer effects for video in photoshop.

We end things off by reviewing our final video, then we show you guys some settings so you can export your video and get it up on the web!

How to Create a Stunning Black and White Portrait in Photoshop

To download this image and follow along with us, visit this episode on

If you think black and white images are simple, think again! Learn how to create a stunning black and white portrait in Photoshop in today's episode!

Converting to Black & White

There are many different ways to convert an image to black and white in Photoshop. For the purposes of this episode, we use the most complete method which is a black and white adjustment layer. This allows an incredible amount of flexibility in terms of editing the tones of the portrait.

To start off (you guessed it) create a black and white adjustment layer. You will notice there are sliders for each color in the image. When working with the skin tones, you will be focusing on the red and yellow sliders. It is really about finding a balance between the two; each photo is different and it will take time and practice to know which colors need to be increased/decreased. For this particular photo, it looks best to increase the yellows and decrease the reds.

If there are other specific colors in the photograph that you would like to change, you can use the sliders for those as well. A helpful trick is to use the hand tool to actually click and drag left and right on the image. Keep in mind, these are global adjustments! If you click and drag on a green stripe in the image, it will also affect all of the other greens throughout.

Tints & Presets

Next up: play with tints! Check the tint box, and then click on the color block to change the color. It tends to look nicer and more natural if the saturation is relatively low. We chose a yellow-orange color and a saturation of around 6% for this image. It creates a really nice warm, sepia look!

Something that many people may not know about black and white adjustment layers in Photoshop is that you can save your adjustments as a preset! This can be very very helpful for instances like batch editing, or if you just like the look you created on your image and would like to use it in the future. Simply click on the icon in the upper right corner of the adjustment window. Then, select "Save Black & White Preset." Name the preset and select the location you would like to save it in. Now, you can go back and select that specific preset for other photos! There are basic presets that Photoshop provides as well.

Flair & Final Touches

Create another new black and white adjustment layer. Next, change the blending mode from Normal to Luminosity. This changes the way the sliders affect the tones in the image, and we have found that it's an efficient and successful way to edit the skin in portraits.

Another nice touch is to use gradients to create vignettes to add on the subject. Choose a radial gradient that goes from black to white, and create the gradient on a new layer (set the blending mode to Soft Light). It's very easy to remake the gradient if you don't like it - all you have to do is click and drag again.

There are infinite possibilities for black and white editing in Photoshop! Hopefully this tutorial inspired you to create some stunning black and white portraits.

How to Turn on Headlights in Photoshop

This episode is a real turn on! Car lovers rejoice: Learn How to Turn on Headlights in Photoshop! Learn all the tricks to creating realistic light, including lens flares and light streaks made from scratch.

A great way to start is to really analyze and sketch out your ideas for the photo. This can clarify what will need to be done to complete a realistic effect.

For this picture, we plan out where the beam of light will be and in which direction it will shine. We also decide that it makes sense for the light to be brighter closer to the actual headlight, and gradually decrease as it gets farther from the car. We notice that the headlight should be shown shining on the road as well. And for a special touch, a lens flare will complete the look!
Creating the Beam of Light

Select the polygonal lasso tool and create a shape that will encompass the main beam of light. Fill it with white. Now, go to Filter - Blur Gallery - Field Blur. You will see a little dial pop up, which can be adjusted to add less or more blur. You can click on another area and add an additional blur dial. This is very useful because it allows you to make the beam of light blurrier as it gets father from the car! If you need to, you can transform the beam (Cmd + T) to be at a slightly different angle, or stretch it out.

Adding Effects to the Light

To give the high-beam a glow, double click on the layer and check the "Outer Glow" box. You can choose the color for the glow - we chose a yellowish tint here. Feel free to adjust the amount of glow as well as the opacity to get just the look you are going for! Add a layer mask and create a gradient over it to lessen the glow as it gets farther from the car.

Adding Subtle Light Streaks

This is a small adjustment but will go a long way in terms of impact! Using the brush tool, click all over and make random dots and marks on a new layer. Then, go to Filter - Blur - Radial Blur. Select "Zoom" and adjust the amount of blur. It will make the dots look like they are moving at warp speed, which will later turn into light streaks! Place the center of the layer right over the headlight. Change the Blend Mode from Normal to Screen. Then, create a Hue/Saturation layer if you need to change the color of the light. Again, don't be afraid to transform this layer to adjust its angle or size. Go with what looks right (it might take some time to be able to recognize what looks most correct. Keep practicing!).

Adding Light to the Road

This is the same concept we used for the initial beam of light. Create oval shapes on the ground using the elliptical marquee tool, and fill it with the same yellowish color we used for the light streaks. Add a gaussian blur to the layer and duplicate it so that it appears to be coming from each headlight. The color can be tweaked by using a Hue/Saturation adjustment layer.

Special Touches: Lens Flares & Gradients

Now the real fun begins! Create a stamp visible layer (Shift +Opt + Cmd + E). Go to Filter - Render - Lens Flare. You are able to choose the size and position of the flare. However, it is very limiting to place the lens flare directly onto the stamp visible layer. To get past this problem, place the lens flare on a black layer and change the Blend Mode to Screen.

Gradients are simple but quite impactful. Click on the Gradient Tool and create a gradient that goes from black to a bright yellowish orange color. Then change the Blend Mode to Soft Light. The black part of the gradient serves as a sort of vignette, and the bright part of the gradient will reflect what is happening with the bright headlights.

As you can tell, there are many little details in this technique that work together to create a realistic final look. If you take the time with each step, there will be no question that your headlights are truly turned on!

How to Create Perfect Selections Using Channels in Photoshop

How to Create Perfect Selections Using Channels in Photoshop

Channels are a great way to make extremely accurate selections! Prepare to make magic happen- even with highly detailed line drawings!

Although there are many different techniques that could yield similar results, Channels can provide the most accurate selections of all.

Section 1: Making Selections

To begin, click over to the Channels tab (if it is not showing up, go to Window - Channels).

Since our image is black and white, we can use any of the Channels to get the selection we want (we use the Blue Channel for this particular example). However, this will change if your image is in color. Click on each Channel to see which selects the most of what you need, and then duplicate it by either Holding Cmd + J or dragging the Channel down to the new layer icon.

Hold Ctrl/Cmd and click on the duplicate layer to create the selection. This selects the lightest areas, so if you need the dark areas selected simply go to Select - Inverse.

Section 2: Adding Color to Selection

With the selection active, create a new Solid Color Adjustment layer. This will automatically make a layer mask and fill the selection with whatever color you choose! That is why you can capture incredible detail with this method; it fills everything in seamlessly.

Section 3: Design Details

To begin really turning this into a piece of art, we crop the image into a square to give it some visual breathing room.

Then, we start to play with color! We create another Solid Color Adjustment layer and place it underneath the illustration layer to act as the background.

At this point, you should discover why this technique is so efficient: you can change the color of those color fill layers as much as you’d like!

You can also have lots of fun playing with the styling of the image. We duplicate the layer of the wolf and move it up a bit, which gives a sort of screenprint effect. We then add a blue Color Fill layer on top of the already present orange layer. Then, we add a Gradient from black to transparent which acts as a mask for part of the color. The result is a beautiful fade from one color to another! And, as you already know, you can always go back in and adjust those colors. In this case we decide to stick with a cool palette, and use blue and green.

For a final artistic touch, we create a white Color Fill copy of the wolf and scale it up (Cmd + T) as another layer of the background. You are able to see through it, but we lower the opacity even more so that the effect is nice and subtle.

We end up with a beautiful graphic image by simply playing with Channels and colors!!

Lightroom 101 & 201 Trailer (Teaser)

Click here to check out Lightroom 101 & 201:
Photoshop Expert Aaron Nace brings years of teaching experience to Lightroom to create a tutorial unlike any other! Learn your way around every button, tool, and menu item in the program. Then, follow along with Aaron’s workflow as he edits 25 images from start to finish. This even includes the ins and outs of HDR images and Panoramas.


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Create your own mascot in 60 Second

Why Mascot are Important?

What are mascots and why are they so important to sports teams and schools? A mascot is anything from a person to an object. They are thought to bring good luck and help boost school spirit. Custom mascots outfits can be bought or even made.

A mascots role at sporting events is to get the crowd in the spirit of the game. Most people think that a person just puts on a suit and jumps around and acts silly. There are actually training camps for them so that they can learn what to do in order to get the sports fans into the spirit of the game.

They play a large role when it comes to professional sports, high schools, and colleges. However you may not know this but mascots are also used for companies. Their job is to bring the energy level of the crowd up. Sports teams play better when they have fans cheering them on.

When a mascot starts dancing and acting silly the crowds go wild. Some people even go to sporting events just to watch them perform. Most of them have a signature move that they do at all their performances and this really gets the crowds going. The reason they have a training camp is because the mascot has to learn how to communicate with the crowd without being able to talk.

The camps teach them how to use gestures such as I can't hear you. The mascot has to know how to communicate with the crowd so that they can have a non verbal conversation with the crowd. The school or sports team mascot is very important to the organization that it is representing.

There are some schools or sports teams that use actual real animals as mascots. Some people like these but personally I like the people dressed up in the mascot outfit. They are usually very funny and they interact with the fans which gets the fans fired up for the game.

There are places that will make custom mascots outfits or you can just buy one online. If you have a bee as a mascot then the outfit has to be a bee. If you have a lion or bear then the outfit has to be a lion or bear. Some schools even use insects as their schools mascot.

If you are using one for a business it is a great way to promote your business. They can be used for a number of different things. If you are promoting something for children then you will want to choose one that children can relate to. Most children love dogs so you could use a dog or even a bunny rabbit.

When choosing one you have to keep in mind the type of person you are trying to draw in with it. For example if you are opening a store that sells appliances then you might want to have one that is dressed like one of the many appliances to draw in customers.

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